Why Queen’s New Biopic is No Rhapsody for Young Artists

As a teenager, I was a crazy Queen fan. T-shirts, figurines, DVDs of live concerts and music videos, with obsessive recollection of the track listings of every Queen album. I loved Freddie and his story most of all. I would read bios written by anyone and everyone to learn as much as I could about his journey.
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Bohemian Rhapsody does no justice to that journey.
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The film is as grandiose, pompous and cliche as a good many Queen tracks but it does a huge disservice to future artists by the way it tells Freddie & the band’s story. There is no suggestion as to how Freddie became a musician, no inkling as to how he grew as a performer. He enters the film as a fully formed superstar destined for stardom and stardom is dutifully delivered. The impression that a talent, voice and presence as immense as Freddie Mercury’s was something ever present tells young artists “you either have it or you don’t” and if you have it, your rise to meteoric fame will be easy. There was no exploration of the struggle, the tireless grind, the growth, obsession and commitment of his story. The part I always found the most interesting and inspiring.
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In addition to this, the film expertly paints characters as one-dimensional heroes and villain (guess who’s the hero – spoiler, it’s Queen) and reduces homosexuality to moustaches and a leather-clad gay club montage (no.)
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I’m sure my fourteen year old self would have loved the film – the fabulous outfits, the awesome soundtrack, the glossy, vintage glimpse into an epic band’s rise to glory. However, my older, more cynical self sees how destructive representations of success can be in the eyes of young, impressionable creatives. Making Freddie’s journey come off as a “bed of roses” or “pleasure cruise” makes it all the more difficult for people to recognise that effort is an essential ingredient to any success story. Although, if you’d prefer to keep kidding yourself and see rockstars as divine entities with untouched, god-given talents who were always bound for greatness then you might enjoy this film. However, my suggestion would be to go back, listen to their records beginning to end, and let the music speak for itself. That’s Freddie’s true legacy and his story – told when he had the voice to tell it.

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NB: If you’re hungry for some musician biopics with a little more grit or insight, some of my favourites are Tina & Ike’s story in Whats Love Got To Do With It, the last days of Brian Jones in Stoned, early Beatles story with Backbeat and The Doors.

Why We Should Let Artists Be Happy (And Stop Glamourising Suffering)

“No great genius has ever existed without a touch of madness” – Aristotle.

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When’s the last time you heard someone say “I’m so glad that *insert tortured artist here* got clean and is mentally well adjusted. Their work is just so much better now.”
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We glorify suffering in the arts. To some degree, I think we equate it with depth. People who feel heaps of feelings must be so complex and multi-faceted and interesting. We often talk about how artists’ peak periods were fraught with misery and turmoil, and their biographies usually end with them dying or getting their shit together (which, in either case, completes the story). It’s true that studies have shown that creative people have an increased likelihood of suffering from mental illness in their lifetime. But are we helping the matter when we constantly equate ones own genius with ones own suffering? 
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As an adolescent, I bought into this “tortured-artist” thing hook, line and sinker. I idolised these people, I admired their art and I thought that their psychological illness only served to enhance their creativity. It made me less prone to addressing my own psych issues – hell, it made me, in a way, kind of proud of them. I must be complex, I must be deep, I must be interesting.  
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It took a while to break this illusion. Of course, the last thing an “artist” wants to be is less interesting. However, ones ability to make great art is not synonymous with living a great life. We’re constantly shocked when incredibly wealthy, successful artists, who seem to have achieved every creative and commercial accolade possible, reveal they suffer from depression or take their own lives. It’s almost like we think they’re not entitled to be sad when all the while we’ve been hyping the fact that it’s their sadness that helps makes them great.
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If you’re one who is prone to glamourising the suffering of your idols (or your own suffering), here are a few things to keep in mind;
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  1. 1. You live your life way more than you live your art. They’re not the same thing (even though it does sound wonderfully bohemian). 
  2. 2. Happiness & contentment is not creative suicide. Many artists have flourished with the clarity and balance that comes with getting your shit together. 
  3. 3. The longer you hold onto the idea of suffering as a beacon of complexity and productivity, the harder it will be to separate from it. There is much more that makes you and others prolific, complex and interesting besides unhappiness. 

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One of my favourite Americana singer/songwriters, Jason Isbell explores his journey with getting clean, starting a family and maintaining his career and creativity beyond the “tortured artist” concept. Despite walking away from his wild, reckless, outlaw lifestyle, his recent work is beautiful, nuanced and rich in complexity. Which goes to show art can thrive – beyond suffering, beyond misery, beyond  madness. 
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“I broke a promise to myself – to ride the throttle ’til the wheels came off (&) burn out like a molotov in the night sky. I broke a promise to myself. And made a couple to a brown-eyed girl who rode with me through the mean old world. Never say die.” Molotov, Jason Isbell. 

For crisis and suicide prevention support, contact Lifeline’s 24 hour crisis line on 13 11 14. For more information and help with depression contact your doctor or Beyond Blue.